artist

When I’m creating a cartoon, I usually have one or two people in mind. I wonder, “Will they think this is funny? Will they like it?”

I don’t know why them. Probably because they are more vocal about my work and they have sent me cartoon ideas over the years, so I feel they are paying attention, even thought I might use 1 in 100 of their ideas – but they are being involved.

When I was publishing the daily news, there is one person who I would think of, too. I would wonder if she thought I was doing a good job. I wondered if she thought the article I was writing made sense and wondered if she would approve. She was always in my head as I was writing.

This person is gone now, but I always admired her and cared how she felt about issues. I admired her as I was growing up, she was always saying what I was thinking she was a fighter and protester. She cared about life and history. One time I saw her in person and was so excited. I didn’t say anything to her, but it was like seeing one’s favorite movie star in person.

Years later, I ran into her at a protest, and she knew my name. She literally knew who I was, she approached me and introduced herself and said my name! We eventually became friendly over the years. She wrote a book on Miami history one time and included me!

Are there people who you try to impress? But I think impress is not the right word, I don’t know what the word would be. Make happy? Entertain? Not sure.

One of my favs from quarantine time. Via TomFalco.com

I think in my cases, I just admired these people and the way they felt about things, so I wanted to try to entertain them with my work and put a smile on their faces when they see my cartoons and writings. I don’t want to lose them as an audience.

To be honest, I don’t think I ever changed an article or cartoon because “they” wouldn’t approve, but I just hoped they would enjoy what I was doing.

Does any of this make sense?

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Miami Art Week during Art Basel can be daunting, hell, just the fact that I have to leave the Grove is a chore in itself. It’s a lot to digest – the noise, the art, the people, it’s a non-stop week that is a lot for the senses. Most of the art begins to look the same after a bit, there is a lot of pop art and a lot of classic, there are sculptures as well as collages and paintings and they all get jumbled together, but this year, one art style and one artist stuck out to me. Literally. That’s Max Zorn, Tape Artist, shown here.

Max’s work appears to be photographs, but the whole image is made from brown masking tape on acrylic glass sheets with light behind it! As I passed by his booth at the Spectrum Art Fair, I noticed that there was tape on one of the images he was working on, I couldn’t figure out what was going on at first, I thought he was putting tape on various areas of a photograph, then it dawned on me that the whole image was made from masking tape!

Max got the idea one night when he put tape on top of a street light, he then stared playing with the tape and as he added more layers, it changed coloring, getting darker as he added tape on top of tape. And his Tape Art was born from that.

“The European tape is different than American tape and I find it interesting and challenging at first when I change tapes in the different countries. The thickness is different,” said Max, who lives in Amsterdam and shows his work around the world.

One big tipping point for Max was when the famed artist Bansky shared a video of Max on his social media sites. The video went viral. It shows Max using the masking tape and a scalpel to create his art, as shown below. He calls it “street art,” but to me it is fine art that belongs in galleries.

Max will be at the Spectrum Art Show all weekend, until December 6, which is at 1700 NE 2nd Avenue (new location this year, along with the Red Dot Fair). There is parking across the street, it’s easy to get to and park.

A gallery of Max’s art can be seen here at his website.