Today’s cartoon over at TomFalco.com is of the Addams Family. I drew this a few years ago, but I keep seeing them in the new Progressive Insurance commercials, so I thought I would dust it off and bring it out. There’s a new Addams Family movie coming out October 1. The cartoon originally had Lurch saying, “You Tweeted?” but I thought texted sounded more personal for the Addams household.
Anyway, notice the walls in the living room? Pink. Why? Because that’s what color they were!
I’ve been seeing this photo below, around the internet for years – it’s by Richard Fish, a well-known photographer at the time. It’s not colorized, this is the original color photo.
I never did find out why the walls were pink and green, but maybe that showed up better on black and white tv at the time and perhaps they thought the tv show would eventually be done in color.
Swipe back and forth and see the difference between color and black and white.
I’m getting excited about New York ComicCon in October. As far as I know, it’s still on. I saw an ad on Instagram yesterday for ticket sales, so I assume since they are selling tickets, it is still on.
I lost my Batman/Van Gogh shirt. I like to wear it at ComicCon one of the days. I also have a Spider-man shirt and a Captain America shield shirt that I wear. That’s as far as I go with costumes.
Anyway, I ordered a new Batman/Van Gogh shirt and it arrived yesterday. I think I probably left the old one in New York a couple of Octobers ago, because I think that is the last time I wore it. It must have fallen off a chair or something and I didn’t pack it when I was heading home.
It’s just September 1 today, so I’m not trying to rush the month away. But I am getting excited for October.
Speaking of September 1, for some reason, as I get older, things move in slow motion, rather than fast motion, which you would think. For instance in the past, on September 1, I used to tell friends, remember this date, because before you know it, it will be January 1! And that was always the case.
But the past few years, maybe five, six or seven years, life has moved in slow motion and of course I love that. So September 1 to October 1 will hopefully take awhile to happen. I know Ferris Bueller says life moves too fast and you have to slow down and take a look around, but in many cases, it moves slow, and I like it that way.
I was holding off on posting this Doctor Who cartoon until there was a male Doctor Who again because I didn’t want to redraw it with the female Doctor Who. I felt it suited a male Doctor Who better for the gag. This is a cartoon I created in 2014.
When I first published it, it was shared a lot online. George Takei shared it on his Facebook page and at the time it got thousands of likes and shares; that was April 1, 2014. He called it “Just what the doctor ordered.” Here is the post and the comments from that day.
Anyway, I am publishing it today because I notice the other day that another cartoonist posted something similar and I didn’t want to publish it in the future and make it seem as if I took his idea. And therein lies the rub of cartooning. There are so many similarities and so many minds think alike that there always looks as if someone is copying someone else.
In the past could swear that people were stealing my work. How could they not I thought. But in reality, I guess there are only so many ideas. Many people feel, “It’s all been done” regarding so many things in life. I see it happen so often with cartoons and comics. I’ll create something and then see it has been done or someone does something and I think they took it from me.
For years, one of my cartoons, “When the milk goes bad,” has been compared to a Far Side cartoon. I think there may be two of them. One is “The chicken went bad” and he’s holding a gun from inside the fridge, you don’t see him, but his hand/wing is sticking out holding a gun.
I had never seen the cartoon when I created this one. Mine was created in the mid 1990s and I had not seen the Far Side chicken one until a year or two ago! But it always gets compared. It bothered me for a long time because I like mine and I use it on my business card, I feel it sets the tone for my humor and people can “get me” by just looking at this one cartoon.
But after years of hearing “it’s been done” or seeing “my work” in others’ work, I’m over it all and I grew a thicker skin.
I don’t know if it’s true or not, but in 1899, Charles H. Deull, the commissioner of the U.S. Patent Office said, “Everything that can be invented has been invented.” In other words, we don’t need to patent anything else. It’s all been invented. In 1899. Can you imagine if all inventions had stopped then?
A friend suggested I design a character or something that could be sold on items or as posters, etc. I came up with this design. I’ll do more.
This is the first design, but I’ll get into it more when I get a chance and do themes. For instance, say NYC, I’ll do a piece with all NYC images or Paris with Paris images and so on. This one is a mishmash of different happy images and I like it.
The next time I’m at the MET Museum, or any museum for that matter, I’ll check out the sculptures more carefully for ancient paint. According to this report on CBS Sunday Morning, those bright white ancient sculptures were not originally white. They were painted in bright colors! Check it out.
The above cartoon seemed to be quite popular. Over 800 people shared it on Facebook as of Sunday.
I wasn’t sure people would get it. But apparently they did. I love when that happens. I’ve been publishing work I like in hopes that the readers will like it, and get it, too. When that happens, it’s a big bonus.
This comic about the “hood/hoodie” wasn’t as popular, yet, many people did get it.
It’s featured on the Comics I Don’t Understand blog, and some people have something to say about it. Whether they like it or not, I think they all get it.
I wasn’t sure how that would go over either. But I thought it was funny. And I do think that “hood” is used as a shortcut for “neighborhood” by many people now. It’s just a change in the English language. How many of us write “u” for “you” when texting?
I have a red hoodie that I love. I left it in NY one time – in the Hamptons, at my cousins house, and it was there for maybe three years. I missed it. I was embarrassed to ask for it more than once, because it’s a $20 hoodie, but I love it so much. It’s a perfect color red and it feels so soft and comfortable. I’ve bought others, in red and other colors, but none are the same.
I use it in Miami when it’s chilly and in the fall when I travel up north I wear it in the plane, I put it over my head and close myself off from the rest of the travelers, which by the looks of things these days, just might be a good thing to do when traveling by air.
Anyway, one of my cousins finally brought the red hoodie back to the city and gave it to me one Thanksgiving.
Went I went up to NY this summer, I had it out on the bed, as I was packing and I forgot to bring it, I left it on the bed. But it was so hot the time I was up north there that I didn’t need it once. I’ll bring it back again in October, when I go up for ComicCon.
Last week I started placing lilies in my cartoons. You may have noticed.
They are in honor of something personal and I don’t know how long they will be there, but if you scroll through above you can see the last five cartoons that have had the lily or lilies. Can you spot them all?
It’s not a game, but if you want to make it one, check these out and all the upcoming cartoons which may, or may not have lilies.
I was in New York for a few weeks and last week I went to MOMA, the Museum of Modern Art. While there, it reminded me of this cartoon I published this past year. It’s a guy, most likely the security guard, looking out the window, rather than the masterpieces surrounding him.
Some of you thought it was an artists license, me adding a window next to the art, as if that wasn’t a thing. But it is a thing and I’ve seen it so many times at MOMA.
I took these two pictures last week. And there were so many more instances where I could have taken more pictures. People actually look out the windows at MOMA, right next to the art! I’ve done it myself every time I’m there.
I guess it’s the view – the skyline is a work of art itself, so you sort of gravitate toward the windows, which are right next to the art!
One of my favorite comics is “Off the Leash” by London-based cartoonist Rupert Fawcett. I first saw the comic on Facebook, where Rupert has almost 1 million followers. The comic can also be seen on Instagram and on its own website. But Rupert is also known for other comics work including Fred, a single panel comic which, like Off the Leash, has has been published all over from newspapers, to books and greeting cards.
TOM: Regarding “Off the Leash,” You seem to get into the dogs’ heads, do you study them? Tell me about your own pets.
RUPERT: I’ve never consciously studied dogs but I am a watcher by nature, a people watcher and I suppose, a dog watcher too. I’m someone who is never phased by delays at airports or anywhere else as I know I will be happily entertained watching the people around me, although I have to be careful not to get caught staring too intensely at anyone. We currently have a two year old whippet and two Burmese cats.
TOM: How often do you publish Off the Leash? Do you draw up a bunch at one time or post them as they are completed?
RUPERT: I had a very productive three years of producing Off the Leash cartoons at the beginning but as I have other commitments I now only draw new ones sporadically. As soon as I have finished one I post it which is the great thing about social media for a cartoonist, it is so instant, from the drawing board to the worldwide audience in seconds!
TOM: I totally agree with that, I almost feel social media was made for art and cartooning. I noticed you work in black and white, why that and not color?
RUPERT: Black and white line gives enough visual information for a cartoon. Coloring would be time consuming and add nothing to the joke.
TOM: I like the clean look of your black and white work, too. Who are your cartooning influences?
RUPERT: don’t have any specific ones but I’m probably influenced by everything I see.
TOM: What medium do you use? Digital? Pen and ink?
RUPERT: I use old fashioned ink pens – I’m a bit of a technophobe.
TOM: What was the first thing you would seriously draw? I mean, I would draw Fred Flintstone, I always remember as a young child doing that. Did you draw a character or have a favorite subject at a young age?
RUPERT: As a boy growing up in the sixties I used to draw footballers quite a lot and soldiers. The comics I read as a child featured regular strips based on the war which was still very recent history. I also used to create my own strange characters. I used to get very absorbed and doodle for hours.
TOM: How did you begin your career as a cartoonist? When did you start cartooning? Tell me about Fred
RUPERT: Speaking of strange characters! I created Fred in 1989 and received over 80 rejection letters from publishers and newspapers. But when I had the greeting card range published by Paperlink it suddenly took off and became a big thing. Fred kept me fully occupied for about twelve years.
Fred was a combination of surrealism and suburban Englishness
TOM: Tell us about your studio or workspace.
RUPERT: I work in a fairly small room at home in South West London, it’s my ‘garden shed’ and i have to be prised out of it by my family sometimes. I’m happiest when I’m drawing and in my private dreamworld, just as I was at six years old.
TOM: What famous artist, dead or alive, would you want to paint your portrait?
RUPERT: Lucien Freud (with my clothes on)
TOM: What comics/cartoons do you read/follow today?
RUPERT: I probably don’t look at cartoons any more than anyone else but I always appreciate a good one. Gary Larson is brilliant.
These pictures of course do not do this justice, but the other day we went to the Van Gogh Experience in NYC. It was one of the best things I have experienced. The best part and most unbelievable part was just as we entered, my favorite song, No Regrets by Edith Piaf started playing.
This was not planned. We entered randomly, it was not as if the show was starting, it’s an ongoing thing. The person at the entrance, parted black curtains, and four of us entered, the lights came on and Edith Piaf started singing and Vincent Van Gogh’s work was bigger than life surrounding us. An indescribable moment.