Hilary Price is known for her cartoon “Rhymes With Orange,” which is published daily in newspapers all over the country as well as online in various locations. Just recently, Hilary won Outstanding Cartoonist of the Year at this year’s 78th annual Reuben Awards, presented by the National Cartoonist Society – it’s like the Oscars for cartoonists. The winner is chosen by fellow cartoonists by secret ballot.
It’s a very high honor won in the past by famous cartoonists like Gary Larson, Richard Thompson, Al Capp, Chic Young, Charles Schulz, Chester Gould and so many more.
She is featured in 10 With Tom this week. I ask her where the title, “Rhymes With Orange,” came from and what her work space looks like, and why she likes to work with a partner, among other things. You can read it all here.
A sample of Hilary’s cartoon, “Rhymes With Orange”
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I’ve been publishing my work on Substack, since it seems like it’s the thing to do. I publish cartoons and my blog posts there and I also started publishing my 10 With Tom column there.
My 10 With Tom is now at Substack at substack.com/@10withtom . It started out at the Huffington Post some years back. I interviewed celebs and news people, athletes, all sorts of people you may know. I moved it to my own url at 10WithTom.com and now at Substack.
I interview people in 10 random questions. The butcher, the baker, the candlestick maker and yes, a slew of folks you probably know. While I mainly covered famous people and celebs, I want to go back to my original purpose – interview people coming up in the world – everyday people. Everyone has a story, that’s what I would like to include in the publication – a new guitarist, a new author or artist; a teacher, the mailman!
I’m still working my way around Substack, but it’s a blogging, publishing platform, where you can make money from having people subscribe to your work, although at this point, everything I publish is free, even to subscribers.
There is a section called “Notes” which is sort of like Twitter/X, and there are long-form stories and published pieces. Many well-known people publish on Substack and they have thousands, if not hundreds of thousands of followers. It seems like every regular contributor on these cable news shows, now has their own writing space on Substack.
I mostly follow other cartoonists and artists. I like that community. I am all in with this project, I even have a t-shirt, which is for sale on the site (and here).
Substack is slow going at first, but that is to be expected until the algorithm notices you. But I have noticed famous people get lots of subscribers right away. Sort of like the rich getting richer. This one guy made believe he was Keanu Reeves, he didn’t post anything other than introducing himself, and he got so many followers just for that reason. And therein lies the rub . . . .
Hope to see you at my new Substack for 10 With Tom, hopefully you’ll subscribe, which is free, and every time I post a new interview, you’ll receive it via email.
It’s been a minute since I did a 10 With Tom interview, but I’m back. There’s a comic strip I really like and I wanted to find out about the cartoonist, Jesse Atwell, and his strip TEX.
Eight-year-old TEX was “born” on GoComics.com a year ago.
After playing with various other ideas, including a single panel cartoon, Jesse’s TEX cartoon came to be. This year the strip was nominated for the National Cartoonists Society’s cartoon of the year in the online short form comic strip category.
I love the drawing style and the coloring technique.
I barely boil water and don’t like to cook, but I love watching cooking shows. I watch them all. I find them relaxing.
I know what a chocolate ganache is, how to make a roux, I know the best way to crack eggs and I know the best extra virgin olive oil to buy, but I don’t cook. I just eat.
I was on a plane recently and I started watching an Ina Garten show called Be My Guest With Ina Garten. It’s an hour show where she has people come to her Hamptons house and the first talk for about half an hour over a drink and then they cook together. The best part is the first half hour because you learn so many life lessons from people from different walks of life. One guest is better than the other.
I’ve been DVRing the show and I watch it when I can.
The episode I watched on the plane was with Julianna Margulies where she talks about living life on her own terms. I’ve never seen ER, but she talks about leaving that show. She was offered $27 million to stay for two more seasons after she decided to leave, but she left. People talked bad about her, saying she was thinking she was too big for her britches, when in reality, she left the show to move from Hollywood to NYC where she directed a play for $270.00 a week. $270.00 vs $27 million.
Years later, she was offered the show, The Good Wife, she loved the concept, but she did not want to move back to California, so they ended up moving the whole production to New York, just for her! I have a cousin who worked on that show, as part of production and also the spin-off show – The Good Fight.
I saw Nathan Lane and Emily Blunt and Marcus Samuelsson, who has an incredible life and story.
They talk during the cooking segment, but the best part is when they are sitting across from Ina, telling their story. I learn a lot from their journeys. I’ve rolled back the episodes and watched segments again.
And of course, they go out into the Hamptons at times to shop and that’s a place I love. I was there recently this fall. And if the village of Southhampton didn’t change the schedule, I’ll be at this year’s Tree Lighting and Christmas parade again in a couple of weeks.
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I did my first interview for the new 10 With Tom site. I had the chance to interview Tauhid Bondia who is the cartoonist of one of my favorite comic strips called Crabgrass. I had written about them in 2020 here.
The comic is about two young friends in the 1980s. I felt it relevant now because Crabgrass is starting newspaper syndication on March 28. It will continue to be online as well.
Over the years, I had these published in the Huffington Post, my own blog, Medium and other publications. I’ve interviewed, cartoonists and featured cartoons and comics and artists, comic strip creators including Jason Chatfield, Rina Piccolo and Scott Adams, among so many others. . But I’ve also interviewed authors, designers like Betsey Johnson and even Ryan Holt from Naked and Afraid.
I was was planning on doing more interviews for the Huffington Post, but I thought these columns should have a home of their own, rather than be at other websites. They live on forever and are always being seen and read.
Some of these stories have hundreds of thousands of readers, The Stephan Pastis article has over 1 million views! So why not have people read them on my own site, rather than other places? I wouldn’t mind 1 million hits! Huffington Post, Medium, and various newspapers didn’t promote the stories, people found them by doing searches, so why not have readers find the articles on my own site, right?
I now have 10 With Tom here, where you can find some of the past interviews and where I’ll add new ones shortly.
You can subscribe to 10 With Tom, and you’ll only receive 10 With Tom interviews (not this Tomversation blog, that’s a separate subscription), but I’m not sure if all the past stories I added will come up as one big email for your first email that you receive after subscribing. So if that happens, forgive me. You’ll usually just receive one interview after it is published.
Bored Panda featured me a couple of weeks ago. I had forgotten that they contacted me about an interview a few weeks back, so it was a pleasant surprise to see this.
The feature came out great and I love what Hidrėlėy, the author, wrote about me, he really gets me:
“This artist creates old-school, one-panel comics. They are filled with absurd humor and unexpected twists, weird characters, and situations that not many of us run into.
“The style that this artist uses is very reminiscent of newspaper comics and there’s something very nostalgic about them. The comics are very simple, but at the same time have quite a lot of detail and expression. The artist enjoys puns and wordplay. He sometimes even includes a little dark humor in his comics.”
Bored Panda has 116 million readers a month and 15 million Facebook followers. Not a bad place to be promoted!
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One of my favorite comics is “Off the Leash” by London-based cartoonist Rupert Fawcett. I first saw the comic on Facebook, where Rupert has almost 1 million followers. The comic can also be seen on Instagram and on its own website. But Rupert is also known for other comics work including Fred, a single panel comic which, like Off the Leash, has has been published all over from newspapers, to books and greeting cards.
TOM: Regarding “Off the Leash,” You seem to get into the dogs’ heads, do you study them? Tell me about your own pets.
RUPERT: I’ve never consciously studied dogs but I am a watcher by nature, a people watcher and I suppose, a dog watcher too. I’m someone who is never phased by delays at airports or anywhere else as I know I will be happily entertained watching the people around me, although I have to be careful not to get caught staring too intensely at anyone. We currently have a two year old whippet and two Burmese cats.
TOM: How often do you publish Off the Leash? Do you draw up a bunch at one time or post them as they are completed?
RUPERT: I had a very productive three years of producing Off the Leash cartoons at the beginning but as I have other commitments I now only draw new ones sporadically. As soon as I have finished one I post it which is the great thing about social media for a cartoonist, it is so instant, from the drawing board to the worldwide audience in seconds!
TOM: I totally agree with that, I almost feel social media was made for art and cartooning. I noticed you work in black and white, why that and not color?
RUPERT: Black and white line gives enough visual information for a cartoon. Coloring would be time consuming and add nothing to the joke.
TOM: I like the clean look of your black and white work, too. Who are your cartooning influences?
RUPERT: don’t have any specific ones but I’m probably influenced by everything I see.
TOM: What medium do you use? Digital? Pen and ink?
RUPERT: I use old fashioned ink pens – I’m a bit of a technophobe.
TOM: What was the first thing you would seriously draw? I mean, I would draw Fred Flintstone, I always remember as a young child doing that. Did you draw a character or have a favorite subject at a young age?
RUPERT: As a boy growing up in the sixties I used to draw footballers quite a lot and soldiers. The comics I read as a child featured regular strips based on the war which was still very recent history. I also used to create my own strange characters. I used to get very absorbed and doodle for hours.
TOM: How did you begin your career as a cartoonist? When did you start cartooning? Tell me about Fred
RUPERT: Speaking of strange characters! I created Fred in 1989 and received over 80 rejection letters from publishers and newspapers. But when I had the greeting card range published by Paperlink it suddenly took off and became a big thing. Fred kept me fully occupied for about twelve years.
Fred was a combination of surrealism and suburban Englishness
TOM: Tell us about your studio or workspace.
RUPERT: I work in a fairly small room at home in South West London, it’s my ‘garden shed’ and i have to be prised out of it by my family sometimes. I’m happiest when I’m drawing and in my private dreamworld, just as I was at six years old.
TOM: What famous artist, dead or alive, would you want to paint your portrait?
RUPERT: Lucien Freud (with my clothes on)
TOM: What comics/cartoons do you read/follow today?
RUPERT: I probably don’t look at cartoons any more than anyone else but I always appreciate a good one. Gary Larson is brilliant.
TOM: Thanks, Rupert!
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