I love this cartoon because I love the characters. I drew this months ago and it had different text and context. I don’t even remember what it started out as, but I changed it so many times over the past few months.
I didn’t change the drawing, I changed the wording. It reminded me of something someone said on social media about the New Yorker cartoon I wrote about the other day – that “they draw the images and then figure out what they are saying later,” which of course I don’t think that’s the case, but maybe it is, because this Wordle gag ended up that way.
One part of love about the cartoon is that the thought Steve is thinking “Ouch!” as a Wordle answer is not really an answer because it’s only four letters. But it almost makes it seem like his whole life is Wordle, including all his thoughts.
I find it silly that people post their Wordle scores on social media every day. The silly part is that you don’t see their answers or the way they got to the final word of the day, it shows blank boxes. It doesn’t show what the previous word tries are or even what the word is.
Maybe people just hit a “share” button on Wordle somewhere and it posts your final score without you even realizing what it looks like on Facebook or wherever.
It’s like saying, “I’m great!” everyday.
One friend of mine posted his score every morning and I actually appreciated it because it reminded me to play the game. But posting your score without any concept or content is like saying, “I won an award for something,” and not saying what the something is.
It’s annoying when people post this online, but then again, it gave me the idea for this cartoon, so it all worked out.
He kept telling me to do something with “intense” and “in tents.”
“Get it?” He asked. Yes, I got it, but I didn’t know how to put it together. It took a couple of weeks and a couple of different drawings, text and concepts until I came up with this. Lots of changes to come up with this.
This one is self explanatory. Not to put down New Yorker comics lovers, but I wonder if they just pretend to get most of the gags just to be part of the “in crowd” or whatever you call them.
Not being sour grapes here, it’s just a gag and I do admire the cartoonists a lot who do work for the New Yorker. I have interviewed many, I have gone to some of their talks and showings, went to a Roz Chast exhibit a few years back at the Museum of the City of New York.
I’ve submitted stuff to the New Yorker and I know it’s a numbers game to get your first cartoon published and then become “one of them.” But the thing is they take too long to respond to your submission – sometimes eight months! And they have first rights of refusal. So imagine me sending them my fresh work, unpublished, and then waiting months for a reply. The work I publish daily would be eight months old after getting the rejection from the New Yorker, and then is it work publishing “rejected” work?
I have two cartoon styles – one was designed to be a “New Yorker style” and the other is the one I have used all my life, I call a Hanna-Barbera style, or “Flintstones style.” So I have accommodated my work to fit in with the New Yorker, and I like it. I go back and forth, depending on the gag, to see which drawing fits.
Like this one here I call the New Yorker style.
And this caveman one is my “Flintstones/Hanna-Barbera style.”
By the way, this caveman one, speaking of Flintstones, has been one of the most shared, viewed and liked cartoon of all of mine, so who knows what style is best. I just go with my mood that day. Same with the borders. Sometimes there is a very think board, sometimes a wild fat freestyle border, other times no border.
I think the fat, freestyle border works with this chicken cartoon.
The U.S. Postal Service has announced some new 2022 stamps and you can see here that these new Peanuts stamps will be added to celebrate Charles Schulz’s 100th birthday.
There are 10 designs surrounding Charles Schulz’s image.
Art director Greg Breeding designed the stamps from original Peanuts artwork.
I’m going to buy them, and of course never use them. The release date has not been announced, but I’ll be checking the stamps on my snail mail to see who uses them first, it would be interesting to see who does! Schulz was born Nov. 26, 1922, so possibly November would be the date they are released.
This cartoon ran the other day and of course there was a lot of arguing over it. Most people felt that masks were not needed now or ever.
I don’t like to do political stuff because it’s not what the readers expect from me, but this really isn’t political. I’m not taking sides, I’m not saying wear a mask or don’t wear a mask. I’m just asking if a judge should be making medical decisions?
You may agree with the CDC or not, you may agree with a doctor or not, but why should we be having a judge make the decision on whether we should wear masks on airplanes and even Uber rides?
This snake/worm cartoon from last week has gone viral on Instagram. I’m not sure why, do people like snakes? Or is it worms?
You can see by the numbers below that over 2 million Instagram accounts have seen it, and by the time this story runs, the numbers will be even higher. Over 83,000 people so far have “liked” the image and over almost 8000 people have “saved” the image on Instagram and over 2800 have shared it. They don’t link back to me or tag me, which is the proper thing to do, so those many people shared the image without giving me, the artist, any credit, but that’s ok, my signature and copyright is on the cartoon.
But it’s interesting to see what goes viral on the internet and what doesn’t and this snake/worm cartoon has really taken a life of its own.
This cartoon got quite a few comments yesterday. It seems that everybody has a story on what they hated to eat as a kid. I think I didn’t like liver and possibly spinach. Spinach I like today. Liver never.
I don’t think my mom forced me to eat what I didn’t like, but I do remember her telling me to try it.
One thing I have almost daily is olive oil, I take a spoonful daily for the omega threes and to be in step with those blue zones around the world, and I also put it on things when eating. But I didn’t like it as a kid and my mom was telling me how good it is for your health, I remember. She said I would get used to the taste. I eventually did.
One lady mentioned spaghetti, in a comment. She didn’t like that and was forced to eat it as a kid. I can sort of understand that, as I am not a big fan of spaghetti, but I’ll eat it, I don’t have to be forced to eat it, but I wouldn’t order it in a restaurant.
I saw this meme or whatever it is, on Facebook the other day, and I was transported back to being high school age again. It was sort of like when you smell something and that smell instantly transports you back in time? Well this did it for me.
I was working at a department store after school many years ago and I was in the cafeteria with co-workers, there weren’t many of us there, a handful perhaps. I can picture it now – dark lighting, red leather seating, black tables. Right there in the cafeteria, I drew up a little cartoon on a napkin that said something like this meme above – something about the managers getting paid to stand around and do nothing. And I guess it was a picture of a manger with his or her arms folded.
Karen (her real name), one of the supervisors/managers, saw it and asked me to tear it up. I refused. She was really upset over it. I don’t know what happened next, but I don’t think I got in trouble, and I don’t think I tore it up either.
I was maybe 17 or 18 and Nancy, the boss, was maybe 25. It’s so funny to think about it now, we were kids. On that day, at that moment, it gave me the knowledge of how important and influential cartooning was. I’m sometimes a packrat but I don’t think I saved that cartoon. Wish I had. To think, this napkin drawing, which was never published and probably ended up crumpled up somewhere, had such a huge effect.
Almost five years ago, I interviewed Will Henry, the cartoonist who does the comic strip Wallace the Brave. The comic strip was new at the time, but I saw something I loved about it and reached out to Will for the interview. Today Wallace the Brave is syndicated in newspapers around the country and it’s just as charming as ever.
Wallace the Brave is reminiscent of Calvin and Hobbes, yet it’s unique.
PBS did a short interview here. with Will recently, right out in his muse – the Rhode Island waterfront (and his liquor store, where it all started)
I often ask people I interview, which comic strip they would like to crawl into and visit for the day. Wallace’s world in Rhode Island is where I think I would like to visit.