I tried something different with today’s comic – with the size of the comic. It’s a long, comic strip length panel, rather than the usual 5″ x 5″ square.
A while back I started drawing the comics in this format and liked the look and it gave me more room to work with, but in the end, I do like the even 5″ x 5″ square size.
Today’s comic, about the Mayan calendar came up because there is a lot of talk lately about the 2012 date when the world was supposed to end as being wrong. You may remember that the big round Mayan calendar ended on Dec. 22, 2012 and that was doomsday, when the world would end. Of course it didn’t. But there has been talk about this or next week being the end of the world, apparently the calendar was read wrong.
I did this comic back then. It was simply the one scientist saying to the other, “Hold up, there’s a second side!” But I embellished it for 2020 since it almost seems as if this is the end of the world with everything that is going on these days – there is something else crazy and newsworthy every other day it seems. So I just changed the text and there we go.
I remember drawing this at the time. The center artwork in the round calendar was very time consuming. I was running late for lunch, I was meeting two friends I remember, and I was trying to get it done before I left. I never like to leave an unfinished piece of work. So I am assuming I got it done before rushing off. I can almost see myself adding all the little tedious details at the time, sitting right here where I am writing this now – at the same desk.
What I also did today that is interesting, is that if you see the comic on Instagram – I tried something new. The comic scrolls. It is the one long panel, but it is not broken up, you literally scroll through the full panel. It was fun learning that and I’ll use it on future long length panels.
Today’s comic really makes me laugh. I don’t know if it’s the drawing or what.
I was watching Breaking Bad as I usually do on Sunday and the thought came to me. So simple, yet so funny.
I know the characters so well that I didn’t need to look at a photo for context, I just know Walter White so well. I guess this is a mixture of two of my favorite things – Breaking Bad and the cooking shows I like to watch on Saturday mornings.
Not bad – check this out. Today’s comic is doing well after only one hour on Facebook – there are 106 shares already – going viral fast.
I love when people share the posts/comics – it’s really helped with circulation on Facebook, there are about 13,000 fans/followers in just a few weeks!
On Instagram there are about 2500, but it’s going slow because they don’t have a share button. I think there are two things Instagram needs – a share button and a way to add a link in the write up area. I’m wondering why they don’t have that since they are a part of Facebook and it would really help out with more engagement.
As you know, you can follow my Tomversation comics here:
Online at TomFalco.com and at Facebook and Instagram here:
I have a couple of drawing styles. Why? Who knows, maybe the Gemini in me – duel personality; duel drawing styles.
I noticed that I got a lot of likes and shares when I posted this silly caveman and woman comic the other day. I have been getting lots of shares with most of the comics, but this one seemed to be one of the the most liked, along with the SpaceX one, which was number one so far.
I will go back and forth because I draw differently depending on the subject matter. I guess the New Yorker-style drawings are more esoteric subjects where you have to think about the gag for a minute like this one with the oranges and apple pay and the “Empty When Full” one.
But the silly ones where they are right in your face, along with the drawing style, I call, “Flintstones-style,” are a fast, easy gag.
This cartoon was published today. I kept going back and forth between the two images. At first I liked the boxers, then the jockeys (wide fronts in England), then back to the boxers. What do you think? I was going to run both at the same time, but then I thought people would dwell on the boxers or briefs subject rather than the comic itself.
At the last minute I added the mask. You may not be wearing pants, but in public, please don’t forget your mask.
I think the smaller underwear almost makes the guy look naked, less clothing seems funny in this instance but the hearts boxers are funny, as well.
One last thing, in the finished comic, I removed the garbage can, it made it a bit cleaner.
Today is Black Out Tuesday. Many cartoonists and entertainers are posting a black box on social media instead of the usual posts.
You will see this on my social media pages. There won’t be a comic today out of respect for George Floyd, his family and the protesters. I stand with my black neighbors and friends.
Interestingly enough I learned that using the hashtag #blacklivesmatter on these posts on social media drowns out the story for those following current events. So that is the hashtag to follow if you want up-to-date social media posts on Instagram, Facebook and the others.
You can donate to the Black Lives Matter Fund here.
And the ACLU here.
With the Covid-19 virus, the riots and protests around the
country world due to the George Floyd murder in Minneapolis, the virus of racism in our country and so much more these days – the anger, the tension and the raw emotion. I couldn’t just ignore it, so I created this comic last night for today. I wanted to add what’s going on in the country and world today and I guess this says it.
At first the astronauts were saying, “Do we have to go back?” but I thought that was sort of mean-spirited and too negative. I think this is better.
You can donate to the Black Lives Matter Fund here.
This cartoon has so many different connotations from people. I changed the text at the last minute, originally it said, “Don’t you miss when only computers got viruses?” But that’s not true since people have always gotten viruses, so I changed it to this instead.
So many of the comments left by readers seem to have struck each one differently. I saw it as both people stuck in a rut and the wife is constantly saying, “Be patient, it’s the new normal,” or something like that.
Others saw it differently. One lady commented, “Same normal for her: still picking up his crap.” I didn’t see it like that, I saw it as her being loving and handing him a mask so he could be safe. This reader saw it as if he dropped his mask on the floor and she picked it up and was handing it for him! Interesting.
Another person said they hated the phrase the first time they saw it. Someone else said, “They are trying to brain wash us with that phrase.” Another mentioned the Karen meme, which I don’t think I knew about before I named her. Many people repeated that they hated the phrase. Others said, “I like Karen,” or “Listen to Karen and wear your mask.” It could be the Karen meme thing that adds to the comedy, who knows, but people seem to relate to it. Also, I am wondering when they say they “hate that phrase,” do they mean anything to do with Karen or the “new normal?” Things that make you go hmmm.
This comic ran a couple of weeks ago and people loved it. It got a lot of shares on social media. But I thought of another funny version. See this one below?
It’s tricky when you have to read something because if it was on tv or in a movie, it could be taken as, “too,” as in “Are you here too, Rob?” and you would hear it in a way that would make it funnier – “to” and “too.”
I have so many comics that I did years ago that I would like to publish now but they are dated; not the content, but the drawing style. So I guess I need to redraw them.
I always love the original drawing styles of things – for instance when I see Family Guy or American Dad on tv, I love the originals from the first seasons – even The Simpsons and oldies like Popeye. There is something about them.
I love the original Doonesbury, which is sort of simple, but I like it more than the more refined look. Look at this old one, I think it’s the original one from October 1970. So simple, but I love it.
Every comic is like that, they all evolve over time. Well almost, if you look at Bringing Up Father, George McManus’ lines were impeccable from day one it seems; same with Winsor McCay’s Little Nemo, which is perfection.
I have a more refined look than I did years go, so after publishing those, I can’t really go back to the original look, there’s too much of a difference there and it throws things off. But this all of course happens with everything. Fine artists have evolved over time, it’s just natural.
Maybe I’ll show you before and after images some time, you know, of comics I did years ago and how I redraw them.