Diary of a Little Girl in Old New York

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Catherine Elizabeth and her father Rensselaer Havens in a daguerreotype taken in 1849.

I read this book called Diary of a Little Girl in Old New York.  I read it on Kindle so I’m not sure how big the book is, but I read it in about an hour or so.

The 10-year-old girl’s name is Catherine Havens and she wrote her diary from August 1849 through June 1850 and there is some of 1851, too, and eventually, it was published in 1919 when her older sister told her it might be a good idea to see if they could get it published all those years later. It’s interesting because it describes so much of old New York, where most diaries are only about the person writing it; this includes so much of what life was like in the mid 19th Century.

I noticed that the whole diary can be read online here. So you don’t have to buy the book.

Catherine comes from a wealthy family and the people she is surrounded by including family and relatives are all in good spirits it seems. For some reason, I always think of people in the olden days as being dour and humorless, but this is not the case. Even her old grandfather has a good sense of humor. Her father was old, he was born before the Revolutionary War.  She writes that people would mistake him as being her grandfather.

Catherine writes about her old aunts who lived in a house built in 1733 and of her own mother’s school days back in the 1810s.

Her world seems mostly to have revolved around 9th Street in New York City and most of the stores they visited and the schools were on 9th or near 9th Street.  She names names of people who lived then and where they lived up and down 9th Street.  She did travel though, to far off places, via boat/ships of the time.

She writes about school and how they did math back then and also how they learned words, starting with the Latin word and working into American English. She tells of how her math teacher rattled off numbers in sequences and the kids had to know the answer.

She mentions her grandfathers’s slaves, by name: “My father’s father lived on Shelter Island, and had twenty slaves, and their names were: Africa, Pomp, Titus, Tony, Lum, Cesar, Cuff, Odet, Dido, Ziller, Hagar, Judith, and Comas, but my grandfather thought it was wicked to keep slaves, so he told them they could be free, but Tony and Comas stayed on with him.”

I love when she writes about her mother’s youth: “My mother says Stuart’s candy store down on Greenwich and Chambers Streets used to be the store in her day. When she was a little girl in 1810, old Kinloch Stuart and his wife Agnes made the candy in a little bit of a back room and sold it in the front room, and sometimes they used to let my mother go in and stir it.”

Here grandfather is one of the first people to have water pipped into their kitchen down on Maiden Lane in New York City.

They even debated about either or eyether and neither and nyther back then!

If you like history, this book is really great, Catherine seems wiser than her 10 years, but maybe that is how the children were back then. It’s interesting see back 1849-50 from a child’s eyes. She wrote that she hoped to live to see the 20th century, but learned in Bible study that in the year 2000 the world would end, so she hoped she would not make it to that age. She did make it to 1939, so she lived to be 99 years old, almost 100. In the diary she mentions that she hoped her mother would live to be 100, and she almost did, she passed away at the age of 96.

Wednesday is “Read A Book Day,” so this might be a good one to read on Wednesday.

Pop-up art galleries

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For many years this storefront was a very popular pop-up art gallery. Then when the real estate market improved and new renters took over, the gallery left.

I read an article in Artsy about pop up galleries called Condo New York, which took over a bunch of empty spaces in Manhattan this summer. They lasted for 10 days to three months.

This is not a new concept and while artists pay to be a part of these pop up galleries, for years, in my town, Coconut Grove, Florida, there were pop up galleries that lasted years and their duel purpose was to show and sell art, but they also were filling up spaces in empty storefronts, which the town had a lot of.

For quite a few years, galleries were all over the village and they paid nothing or next to nothing, probably just paying for the utilities while making empty storefronts vibrant and lively.

As the storefronts started renting out and the neighborhood stated changing to higher rents and many more renters, the galleries all but disappeared.

I had a friend who was an artist and a realtor and he would combine the two. He would have a gallery in the condos he had for sale. So the open houses would be an art event as well as a sales event. That’s something I think you would see on the tv show Million Dollar Listing; they are always coming up with some sort of gimmick to show their real estate listings.

But pop up art can be in any empty space. Even during Art Basel here in Miami, there is art in shipping containers, each container being its own little gallery for a week. Heck, any empty room can be a gallery.

Melania Trump to the rescue

I did a little doodle.

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Drawing blindfolded

In 1947, Life magazine had some famous cartoonists of the time draw their main character while they were blindfolded. The cartoonist was blindfolded, not the character. Here are some results.

Click on the images to see a larger version.

Sticking with Max Zorn

This post is a rerun. I ran it about a year ago here in the Tomversation blog and in the Huffington Post a few months before that. I was reminded of Max on this morning’s CBS Sunday Morning, which did a feature on him in Amsterdam. Their feature was a rerun and so is this post. 

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Max Zorn at Art Miami, December 2015

Miami Art Week during Art Basel can be daunting. It’s a lot to digest – the noise, the art, the people, it’s a non-stop week that is a lot for the senses. Most of the art begins to look the same after a bit, there is a lot of pop art and a lot of classic, there are sculptures as well as collages and paintings and they all get jumbled together, but this year, one art style and one artist stuck out to me. Literally. That’s Max Zorn, Tape Artist.

Max’s work appears to be photographs, but the whole image is made from brown masking tape on acrylic glass sheets with light behind it! As I passed by his booth at the Spectrum Art Fair, I noticed that there was tape on one of the images he was working on, I couldn’t figure out what was going on at first, I thought he was putting tape on various areas of a photograph, then it dawned on me that the whole image was made from masking tape!

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Max got the idea one night when he put tape on top of a street light, he then stared playing with the tape and as he added more layers, it changed coloring, getting darker as he added tape on top of tape. And his Tape Art was born from that. 

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Max explaining his technique to a couple of fans at Art Miami, Dec. 2015

“The European tape is different than American tape and I find it interesting and challenging at first when I change tapes in the different countries. The thickness is different,” said Max, who lives in Amsterdam and shows his work around the world.

One big tipping point for Max was when the famed artist Bansky shared a video of Max on his social media sites. The video went viral. It shows Max using the masking tape and a scalpel to create his art, as shown below. He calls it “street art,” but to me it is fine art that belongs in galleries.

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A gallery of Max’s art can be seen here at his website.

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Below is a little video of Max creating his art.

Three more of my favorite comics

Here are a few more of my favorite comics. I read all three of these on Facebook, they pop up in my feed.

This first one, Billy and the Giant Frog is a bit weird because there is a giant frog in the background of each strip. In one of these first strips, the frog is mentioned, but in most of the strips, he is just there and not mentioned and I like the way the strip doesn’t have a punchline all the time, it’s just a slice of life. I like the drawings, too. And the frog, meh, I can do without him, but I won’t stop reading the strip just because he is there.

You can see the comic at Man Martin’s Facebook page here:  https://www.facebook.com/InkwellForest

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I like the Crowden Satz comics (above), too. Very funny and I like the drawing style. They can be seen on facebook here:   https://www.facebook.com/crowden.satz

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Joel Wilhelm’s The Sheltered Life, reminds me a lot of my own work, so I’m drawn to it (no pun intended). Joel’s tablet died recently and he has not been able to produce comics, but he set up a Go Fund Me page and he raised the money and in a week or so, he’ll be producing more comics, so I look forward to that. His Facebook page for the comics is here: https://www.facebook.com/joel.dacaveman. You’ll notice he has some rough comics that he has done in his tablet’s absence.

I’m reading the old Brooklyn Eagle newspaper; daily!

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I tried reading 1917, but it was boring without the comics and tv listings.

Ok, so I’m trying this experiment. I am reading the Brooklyn Daily Eagle daily, on the exact date from the past. I chose 1917 so it would be exactly 100 years ago, but it was a bit boring, there were no comics or tv listings, so I randomly chose 1949. That seems like a good year, there are comics and my parents were around then, in Brooklyn and it was a good time for the country. We were out of World War II and it was just before the Koren War and it was just on the verge of the coming fabulous ’50s.

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This is the top of the front page on Aug. 22, 1949.

I wanted to find a newspaper that carried Krazy Kat and more famous strips, but The Eagle is so easy to see and navigate on this platform so I’ll do that.

I got the idea from my Krazy Kat and The Gumps books that I purchased awhile back. I blogged about them here. They are one year in the life, you are supposed to read them o the same date each day, for instance Krazy Kat runs from January 1, 1934 to December 31, 1934 and The Gumps runs from May 1, 1928 to May 3, 1929. I read them all in a few sittings, as they are hard to not read daily. But I am going to do this with The Brooklyn Daily Eagle and for that period that I’m reading it, I’ll pretend that I am living in 1949, reading the daily newspaper.

Here’s a link to the site if you would like to check out the Brooklyn Eagle newspaper archive.

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Part of the comics page on Aug. 22, 1949.

When your postage stamps are larger than the Sunday comics

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These are the Miami Herald comics today. Look at the size of them, smaller than my postage stamps! I’m sure this isn’t just the Herald, these comics are microscopic all over the country in different newspapers.

I often wonder why the comics are treated with so little respect. Why print them at all if this is the result?

To be honest, I don’t read newspaper comics and I really haven’t for years because it’s so easy to read them online at so many comics sites now, and I follow many on social media, so they just pop up in my timeline and they are large or can be enlarged and they are colorful and pop out at you.

I finally reconciled with myself that I won’t have my comics in a daily newspaper in this lifetime. That was my goal since I’ve been a child, but I really didn’t keep up with the effort to get them published, so I have no one to blame but myself and when I am ready to start publishing daily, which I hope will be soon, I am now pleased to be part of the 21st Century by publishing online, where I believe there can be more readers and younger readers and they are shared more easily. And they are large, colorful and respected.

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Out Our Way

out-our-way.jpgOne of my favorite comics, Out Our Way by J.R. Williams is on GoComics, but they never update the page. Not sure why, but if you go into the archives, which are listed below the comic, you can see about a month’s worth from December 1930 and a handful from November of that year.

Not sure why they stopped publishing the reruns.

I’ve always liked this comic panel, I’m not sure where I read it because it’s way before my time, but I guess over the years it popped up in places. I like all the action in one single panel and all the dialog that fits.

I like Our Boarding House with Major Hoople, too and Hazel and so many single panel comics. Of course I love The Far Side. I guess that’s why I prefer doing single panel comics to comic strips.

Years ago, I got a rejection from one of the big syndicates, I had sent in a batch of samples for syndication. There was a note with the rejection slip and I don’t know if I was supposed to see it or not, but it said, “Too much like The Far Side!” Which was a negative thing to them cine I guess it was around the time that The Far Side ended publication. To me it was the highest compliment, even though I didn’t get a cartooning contract.

A different way to publish the comics

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A recent Bob Rich comic for Hedgeye.

I was enthralled by this article in the Stamford Advocate called, “Cartoonist sketches new life as Stamford financial firm’s artist.” And that’s because I had the same idea for years. I tried to implement it, but it went nowhere.

Bob Rich, the Stamford cartoonist who worked as a newspaper cartoonist for years and lost his last job at the Connecticut Post, Bridgeport’s daily newspaper. Hedgeye, the CEO of the financial firm, created the position of staff cartoonist and that job became a reality for Bob. Here is where is published on their website daily.

My idea works like this – a cartoonist has his/her work published on business websites, rather than newspapers and that is the new paradigm for cartooning in the 21st century. By business, I don’t just mean only financial, I mean money-making websites and companies; companies that can afford to pay the cartoonist.

For instance take Macy’s, the department store. What if they ran a comic daily or two or three daily? Wouldn’t people go to the site to see the comic and then hopefully stick around to shop? What if a bank had a banking related comic and ESPN for instance, had a sports comic and so on.

I had approached Bravo, the tv network a few years back only after a producer from one of their shows contacted me. He loved my work because I had done a few reality tv comics and one happened to be one of the shows he produced,  he got in touch with me and had all these plans. I sent them samples and went crazy trying to make this work and in the interim between Thanksgiving and New Years, his show was cancelled and I never heard from him again. I suppose when the show was over, so was our connection. He has other shows on tv on other networks, so I don’t know why he just ghosted me, but he did.

I never did hear personally from Bravo or any of the people I contacted a directly, not even, “no thank you.” So I’ve been sour on them ever since and really haven’t watched their network much because of it.

Wouldn’t it be great if websites and companies all over the world ran comics, even one? They could support a cartoonist, have their work on their website daily and that will bring readers and hopefully customers and clients.

Brilliant!