Sticking up for printed newspapers

newspapers1

A guy posted this old photo of people reading the newspapers on a subway in NYC on a Facebook page I follow. He commented on how people used to read the papers daily and mentions that he hasn’t read a paper in years. I mean years, like since the 1990s, he says.

If he felt some sort of way to post the photo, why not support the newspapers once in awhile and buy  printed copy? He makes it seem like something from the past that can’t be attained anymore, when all he has to do is go out and buy one – a fresh one, printed today with today’s news and features!

newspapers2

Other people were mentioning that they hadn’t read a printed paper in years. And I don’t know why, but it really got me pissed. I’ve learned to keep my mouth shut these days so I didn’t comment or reply to any of them but I felt like telling them all off. They all sound like people of  certain age, one guy was mentioning reading the New York Journal-American for God’s sake, I think that went out in 1966, so doesn’t he feel sort of an obligation or curiosity to at least pick up a paper now and then?

I had posted this great video about the NYC newspaper strike of 1945 here in the blog awhile back; I watched it again the other day on my tv- it was so enjoyable on the big screen.

I’ve spoken before about dumping the daily newspaper, but I can’t do it. I tried going just digital, but for some reason, I need to hold it in my hands and read it that way every day, even though I’ve gotten 99% of the news and features on the internet the day or night before.

========
Don’t miss my next post. Receive Tomversation via email
each time I publish Click here.

=======

They were born in the early 1800s; listen to them

I’ve been watching a lot of YouTube videos lately – on my 55 inch tv, which makes it so much more pleasant.

I’m finding all sort of things. Yesterday, I came upon this video “Interviews With Elderly People Throughout the US,” filmed in 1929. Some of these folks were over 100 years old! Most were in their 80s and 90s. But listen to them – so full of life at 100!

Imagine, one guy says, “I was born in 1827, I graduated school in 1845 . . . ” 1827! 1845!

One man is 70 years old or so and he’s retiring from his job as a train conductor. You can see him jump off the train and speak to the camera. He tells about starting his career in the 1850s, now it’s 1929 and he is retiring. Another old lady is 103, I belive, she dances the waltz with a guy!

This is great, it’s worth a watch. There are other videos in this series too.

Here is more interviews with elderly people.
And here is Recollections of the Civil War

========
Don’t miss my next post. Receive Tomversation via email
each time I publish Click here.

=======

Pulitzer and The World

newspaperow

Images via Library of Congress

pulitzerI saw a great documentary on Joseph Pulitzer (left) the other night which of course was a lot about the New York World, which he published from 1860 until his death in 1911, after that his sons ran the paper (into the ground) and then in 1931, it merged with the New York Telegram to become the World-Telegram and then years later, in 1950, became the World-Telegram and Sun. You can see the Pulitzer documentary in full at PBS’s American Masters here. The story is great along with the images of the old newspapers and offices and of course, old black and white movies of street scenes and society at the time.

What was interesting about The World was that it seemed to have everything, especially on Sundays. It would print dress patterns, color comics, cut outs that kids could play with and had stories that were not breaking news, but features. Pulitzer and his staff would seek out human interest stories, which was a first for its time. He also designed interesting layouts and pages which were completely different than what was standard at the time – rows and rows of columns.

The World was one of the first newspapers to run comic strips and it started with the Yellow Kid which was stolen by Hearst his New York Journal (later the Journal-American).

One interesting item the documentary talks about was timing. When Pulitzer began publishing The World, New Yorkers started taking public transportation more often and the newspapers at the time were a perfect diversion on city transit.

I always loved old photos of the World building down on Park Row, across from city Hall. It’s gone as of 1955, and I found out from the Pulitzer documentary that it was due to Robert Moses, who seemed to destroy a lot of NYC in the name of progress, including the demise of the Brooklyn Dodgers, to which my father has not forgiven him to this day. Moses demolished the World and Times to build another ramp for the Brooklyn Bridge.

nysun

These clocks can still be seen on the Sun Building today at 280 Broadway.

The Sun building was next door, but eventually moved to 280 Broadway, on the other side of City Hall,  where the is still today. Clocks on each corner show the name – “The Sun – It shines for all.” The Sun came back in the early 2000s but is only online now.

newspaperros

Beautiful newspaper row.

The New York Tribune building was demolished in 1966 and is now Pace University.

The New York Times building at 41 Park Row is still there today. People mistakenly have claimed over the years that it was demolished for the Brooklyn Bridge entrance, too, but that is not the case. It is also part of Pace University today.

Of course, one of my favorites was the Herald, up on Herald Square, which is now an ugly box building housing Santander Bank and CVS, catty corner to Macy’s.

heraldsquare

The New York Herald.

tribune

Outside the Tribune Building.

The World Newspaper

world2.gif

========
Don’t miss my next post. Receive Tomversation via email
each time I publish Click here.

=======

Finding obscure comic strips

10 With Tom
10 questions in 10 minutes

I’ve been reading Allan Holtz’s “Strippers Guide” blog since it started in 2005, I believe. I love it because it’s all about thing I love – comic strips – old, historical comic strips. Alan is a comic strip historian and author of “American Newspaper Comics: An Encyclopedic Reference Guide,” a book I own.

Each day, Allan (shown here) and contributor Alex Jay, talk about old comic strips on the blog with plenty of wonderful images of the strips. Many I never heard of and quite a few bring back memories. I had the opportunity to interview Allan recently for Ten With Tom.

Allan-Medea-Jim

Allan at right, with his wife Media and cartoonist Jim Ivey at Jim’s 90th birthday party.

TOM: I love old comic strips and newspapers and enjoy the Strippers Guide blog, what made you come up with the idea of the blog?

ALLAN: I was about to begin shopping my book, “American Newspaper Comics – An Encyclopedic Reference Guide,” around to publishers. I’d spent over twenty years researching the book, and my name was somewhat known in the comic strip collecting world, but I felt that it would be helpful if I had wider name recognition. In 2007, when I started the Stripper’s Guide site, blogs were the hot new thing on the web. I figured that if I posted regularly about comic strips, with some eye candy in the form of nicely restored old comics, it might help my cause.

Well, it didn’t really help at all with publishers; I ended up having the book accepted by the University of Michigan Press primarily because another author vouched for me. However, I found that the daily regimen of writing short essays, and scanning and restoring the comics, was just what the doctor ordered to stimulate my desire to continue my research work. I also thrive on the feedback I receive from comic strip fans and historians.

TOM: Why Stripper’s Guide? I know what strippers are in the newspaper business, but what made you use that for the name?

ALLAN: I was trying to come up with a catchy title for the blog, and I figured that anyone with an ounce of curiosity would be intrigued by a site that calls itself Stripper’s Guide. Comic strip fans have occasionally called themselves strippers long before I came along, so I don’t get any points for originality. Over the years I’ve fielded my fair share of comments from site visitors who were hoping to find something very different. But maybe I turned a few of them into comic strip fans!

I wanted to call my book Stripper’s Guide as well, but the folks at University of Michigan Press very sweetly told me that there was no way in hell they would publish a book with that title. I still think we could have sold more copies, though …

detective-riley

Detective Riley, an obscure comic strip from the 1930s

TOM: I love the obscure comics, what you post as “Obscurity of the Day.” How do you find those? I know of some old comics I’ve been trying to find and I can’t find them.

ALLAN: Decades of research have yielded a practically never-ending supply of comic strips I can discuss for “Obscurity of the Day.” The real trick is getting the samples to show. Since microfilm photocopies and online newspaper archive images are rarely of decent quality, I have to find original newspapers that print these rarities, from which I make high-resolution scans and then do additional restoration work.

There is a lively trade in old newspaper comic strips. I haunt eBay constantly, always looking for oddball and obscure material, whether in the form of clipped comic strips, complete newspapers, or even newspaper bound volumes discarded by libraries. My collection is pretty vast and I’m always looking for more.

As to the subject of finding dimly remembered old comic strips, I get asked about them a lot. I’ve become a regular Sherlock Holmes when it comes to identifying dimly recalled comic strips from the past. Between a vague description (sometimes as little as “it had a funny looking kid in it”), a general idea of when they remember reading it, and the newspaper they saw it in, I can usually come up with the answer.

TOM: Do you draw? Have you ever created a comic strip yourself?

ALLAN: I’m good at quite a few things, but drawing is definitely not one of them. Unlike the old saying, though, I can in fact draw straight lines. It’s those darn curved ones that are completely beyond me. I think that may be a part of my fascination with comic strips — the ability to boil a story down to a few deftly arranged pen lines never loses its magic for me.

I did actually create a comic strip, though. I used to work in the software industry, and my company had a monthly newsletter. Just for kicks I came up with a sort of a Dilbert-y comic strip for it. At first I tried to populate it with stick figures, but it was incomprehensibly bad. So I drew a closed office door, and had all the dialog emanating from the other side. After submitting two of those, the newsletter was cancelled. I fear it was my fault.

TOM: You are the author of “American Newspaper Comics: An Encyclopedic Reference Guide.” I have owned that book for many years. How did that come about to begin with?

ALLAN: When I first got seriously interested in newspaper comics and wanted to read about their history, I was frustrated by the quality and lack of depth in the references available then. It seemed like everybody talked endlessly about a standard litany of high profile classic comics — Flash Gordon, Krazy Kat, Little Nemo and so on — but when they ventured beyond those strips the information was generally spotty, and often just plain wrong.

So I set out to gather all the basic information about every US newspaper comics and panel — their running dates, creators, formats, and so on. I felt that a comprehensive reference was needed as a jumping off point for researchers who want to go into more depth. I had no idea when I started that I was embarking on a project that would take a lifetime!

The book was originally published in 2011 and I’ve continued researching ever since, so I’ve got lots of new information to share. I’m very proud of the original book, but I’m hoping there’s a way to bring out the 2nd edition at a much lower price. I want comics enthusiasts to be able to buy a copy without feeling that they need to live on bread and water for a month to afford it.

the-captains-gig

A late 1970s strip, The Captain’s Gig, by Virgil Partch

TOM: What comic strip from today or the past would you like to crawl into and spend the day?

ALLAN: Wow, that’s a great question. My first instinct is to say I’d like to be Jiggs from Bringing Up Father. He’s obscenely rich, lives in rococo splendor, and moves through an Art Deco world drawn by the great George McManus. But then I remember that Jiggs regularly gets beaned by Maggie, his harridan wife. Maybe not so great after all.

I could have a wild day as Little Nemo, Buck Rogers or Captain Easy, but I’m enough of a homebody, used to my creature comforts,to take a pass on that.

No, I guess my choice is Dagwood from Blondie. He has a job where he gets away with murder, naps on the couch, and eats the most stupendous sandwiches without ever gaining an ounce. And who doesn’t have a crush on Blondie, whose personality, figure and lovely face put us imperfect real humans to shame.

TOM: Have you met many famous cartoonists? Which ones impressed you the most?

ALLAN: Cartoonists are the celebrity superstars of my world, and I’m sufficiently in awe of them to be a bit shy. I confess that I’ve been in the same room with some of my ink-slinging heroes and sometimes not gotten up the gumption to introduce myself. Which is pretty stupid, because cartoonists are cooped up in their studios so much that when they do get out in public, they tend to be very friendly and giving of their time.

I’d have to say that the cartoonist who impressed me most was still the very first one I met, at a comic book convention in Orlando. Wayne Boring had been the artist on Superman (both comic books and the newspaper strip) in the 1950s and ’60s. By the time I met him he was retired, and I was a snot-nosed 12-year old who saw the gray-haired fellow as a god.

I got up the nerve to approach him with a copy of one of the last Superman comic books he worked on. Much to my amazement, he was not only friendly but sat with me for about five minutes, paging through the comic book and reminiscing about working on it. He even asked me questions, which seemed impossibly congenial. I’ll never forget it.

TOM: Now that Bloom County is back, which of these classics would you like to see come back, too: The Far Side, Calvin and Hobbes or Pogo. Please choose just one.

ALLAN: Well, they are all classics, but if I could only have one back, it would by Gary Larson’s The Far Side. I’ve always had a particular affinity for slightly subversive and off-kilter humor (my current favorite strip is Zippy the Pinhead). Although Larson said he ended the panel because he felt his well was running dry, I’m betting that after the long layoff his creative juices have been revitalized and he could have another great run.

TOM: Do you attend comic cons? Which one do you like or prefer?

ALLAN: Comic conventions are about comic books, not newspaper strips, so I’d be a fish out of water. As a kid, when I was more into comic books, Jim Ivey‘s annual OrlandoCon was the highlight of my year. OrlandoCons were great because Ivey invited all these amazing cartoonists he knew, most of whom were newspaper comic strip artists and editorial cartoonists. Meeting these people opened my eyes that comic books were not the sum total of cartooning by a long shot.

From what I understand, nowadays most comic conventions are more about adaptations of comics for movies and television than they are about actual comic books, so I’d be doubly out of my element.

TOM: When you were a kid, what newspapers did you see/read the comics in? What is your earliest memory of reading comics?

ALLAN: I lived in Montreal as a kid, so I fondly recall the strips that ran in the Montreal Star. I especially remember Jasper, which was a comic strip distributed only in Canada. It was about a bear who lived in Jasper National Park in Alberta Canada. I guess that would qualify as an Obscurity of the Day on Stripper’s Guide now!

What really doomed me to a life of loving comic strips, though, was when my dad was doing some plumbing repair under our house and he came out of the crawlspace with an old newspaper he’d found wrapped around a pipe. It was a copy of the Sunday comics from a Montreal Gazette of the early 1940s. This 10-year-old kid had never seen such large, beautifully colored glorious comics. They were a powerful revelation to me, who was used to comic strips printed muddily and on the scale of a postage stamp in current newspapers. I must have read that old comics section a hundred times, and I guess that sealed my destiny.

TOM: Thank you Allan!

Herriman

A 1909 strip by George Herriman.

========
Don’t miss my next post. Receive Tomversation via email
each time I publish Click here.

=======

The instruments of rock stars

I’m looking forward to a new exhibit opening at the Metropolitan Museum of Art in NYC – it’s called “Play It Loud.” It features instruments played by famous people from famous songs. This video above is CBS Sunday Morning’s story on the exhibit.

Electric guitars, drums and amplifiers are featured. Jerry Lee Lewis’ piano is there, so is Keith Moon’s drum set and Chuck Berry’s Gibson guitar that he played Johnny B. Goode on, which still includes the traveling tags on the guitar case. There is John Lennon’s 12-string Rickenbacker and the drum set Ringo used on the Ed Sullivan Show in 1964.

The Rock & Roll Hall of Fame coordinated the exhibit and will present approximately 130 instruments alongside posters and costumes.

The exhibit runs from April 8 to October 1, 2019.

This video below is Don Felder playing Hotel California at the Met on his original double neck guitar.

I think this is the coolest photo representing the 1930s

nyc1935

I came across this photo online. It’s 1935 NYC.

I find it interesting because the guy looks so cool. I don’t normally think of the 1930s as being anything when I think of the 1930s. I don’t know why, I think Art Deco was part of that period, but when I think of the 1920s I get an image, same with the 1940s and future decades, but never the 1930s. If I do get an image of the ’30s, it’s the depression, I never think of anything this cool and calm and be a scene I’d like to be a part of. Who is he? What is he reading?

To me the 1920s, 1950s, and 1980s seem to be very similar from what I’ve read and seen in movies and on tv. They seem like prosperous times, safe times and fun times. I think of the roaring 20s as being the Happy Days 50s and my favorite decade the 1980s.

If I could, I would visit the ’20s and ’50s. And if I could, I would visit the 1980s and relive them starting on January 1, 1980 and up until December 31, 1989 and then do it all over again. I sometimes wonder what that might be like after we die. Can we do that? Can we visit various time periods and live there or witness them every day, if we want to?