New York Comic Con is back

So New York Comic Con is back! From October 7-10, 2021, the Jacob Javits Center will be alive again. Until recently it has been used for some sad and unpleasant things – you may remember it was turned into a hospital during the very dark days of covid. And until recently it was a center for vaccination shots.

I guess it will feel weird being there and thinking of all that, but in the end, it will be back to what it was meant for – events. Comic Con was cancelled last year, so it will be a big welcome home event this year.

I’m looking forward to Comic Con. And of course, being in NYC in the fall is an added bonus. This past summer there was still a lot missing. There wasn’t much in the way of service and I don’t think NYC is ready for visitors yet. Plus the weather is either 100 degrees or raining every day, which doesn’t help in making it a great summer experience.

That being said, I did spend a lot of time with friends and family and I did a lot of things from going to the Hamptons a couple of times to visiting Little Island, Governors Island, Coney Island (a lot of islands), seeing the fireworks and of course doing the Van Gogh Experience, among so many other things.

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Visiting Van Gogh

These pictures of course do not do this justice, but the other day we went to the Van Gogh Experience in NYC. It was one of the best things I have experienced. The best part and most unbelievable part was just as we entered, my favorite song, No Regrets by Edith Piaf started playing.

This was not planned. We entered randomly, it was not as if the show was starting, it’s an ongoing thing. The person at the entrance, parted black curtains, and four of us entered, the lights came on and Edith Piaf started singing and Vincent Van Gogh’s work was bigger than life surrounding us. An indescribable moment.

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Jason Chatfield; cartoonists are his favorite people

10 With Tom
10 questions in 10 minutes

Jason Chatfield and Ginger Meggs

I interviewed one of my favorite cartoonists, Jason Chatfield, who incidentally helped me immensely with my own cartooning, as I live by one of his statements: “Don’t curate your art to what gets likes. Curate it to what you like.” I live (and create) by that now.

I was interested in Jason’s schedule, technique and so much of his cartoons and comics work and work ethic.

TOM: You seem to do so much, TV, New Yorker cartoonist, daily comic strip (Ginger Meggs) and President of the National Cartoonists’ Society (NCS). What is the schedule like, for instance, when do you do the comic strip? When do you do New Yorker cartoons?

JASON: I have a pretty regular schedule — I work from a calendar instead of a to-do list — I tend to do 6 daily strips at-a-time, then the Sundays (weekend paper strips) on separate days.

I pitch a batch of 10 New Yorker cartoons each Tuesday; some roughs and some finished, and some of them re-submissions with new captions. 99% are rejected. Those are done in a 10-step process that I outline here.

The TV work is usually just a one or two-day shoot somewhere, then the show or commercial runs for years, so that’s not very time-heavy, and my NCS work is just constantly streaming in every day. Some days there is a lot to do, other days less so. Cartoonists are my favorite people, but trying to organize them can be like herding cats. ☺️

It sounds like a lot, but I manage to sleep somewhere in there and take weekends off with my wife and pup.

TOM: I see that Ginger Meggs recently turned 100 — that’s quite a weight to bear — taking over such a well-known strip. How did that come about? How were you chosen to do this?

JASON: When I was a 23 year-old editorial cartoonist in my hometown of Perth, the fourth cartoonist on the strip, James Kemsley, asked me to take it over. That was few days before he died of ALS. He was a dear friend and mentor so it was a very bittersweet honor to inherit. I’d give up the strip tomorrow it it meant having Kems back; he was an impressive guy, always way ahead of his time and always helping other cartoonists. I’m glad I could carry the baton and keep Ginger going past 100 years. (Details on the centenary are at gingermeggs.com )

TOM: As President of the National Cartoonists Society, what is your take on webcomics or comics only published online? They seem to be the most read today, yet I have heard that cartoonists have a problem joining the society.

JASON: We have many webcomic cartoonists in the NCS, and under past President Tom Richmond’s tenure (around 2010/11) the NCS introduced two webcomic categories into our Divisional Reuben awards. (Long form and Short form).

Webcomics are a rich and diverse artform we’re really proud to promote — comics in newspapers are only a fraction of the make-up of NCS membership. Our biggest numbers of entries for the 2020 Reuben awards were for both webcomics categories. 

I think I read about 70% of my favorite comics online (the rest in magazines and printed book collections.)

TOM: Do you work digitally or with pen and paper?

JASON: I use both. I learned to draw traditionally before I learned to draw digitally, so the transition was very natural. I use a Wacom Cintiq with an Ergo Arm for most of my work, but I often spin around to my drawing board and use a Hunt 101 Imperial nib on my dip pen for a lot of my New Yorker finishes. (Mainly because people request to purchase the originals… And I like to get inky fingers so my wife thinks I’m doing actual work.)

TOM: What does your studio, workspace look like?

JASON: It changes all the time. I’ve moved so many times the past 15 years my studio has been every kind of room imaginable. You can get a glimpse of my current studio (June 2021) in this video just shot by Wacom for the production of a series of coins I designed for the Royal Australian Mint. They cut the part where my dog sits under my desk while I’m working and farts. Almost constantly.

TOM: What comics/cartoonists influenced you?

JASON: I was a big fan of MAD growing up, so all the Usual Gang of Idiots were my teachers — Sergio Aragonés was my favorite for his pantomime marginals, but Mort Drucker’s hand gestures and caricatured likenesses, Jack Davis’ movement, brushwork and shoes, Al Jaffee’s inventiveness (and snark) all contributed to my weird brain. And then the “newer” guys like Tom Richmond, Mark Frederickson and a slew of other talented idiots followed suit.

For comic strips, I loved Calvin & Hobbes and later, Cul de Sac.

TOM: If you could crawl into any strip or panel for the day, other than your own, which would it be, and why?

JASON: Cul de Sac. I would want to sit down and just pick the brain of Alice Otterloop. What a brilliant mind Richard Thompson had, to bring her into this universe. Wildly inventive, funny and smart character writing.

TOM: At what point did you realize you were famous?

JASON: Ha! I don’t think that’s true. I know it sounds silly considering all the things I do being so public-facing, but I now totally get people having a pseudonym. Fame isn’t something I aspire to — I just like to do my work and hopefully have people enjoy reading it. I think ‘actual’ fame comes with more downsides than upsides… unless we’re talking about my local diner naming a roast beef sandwich after me. That’s all upside. (And topside).

TOM: What song would be the theme of your life?

JASON: The theme to Curb Your Enthusiasm

TOM: What famous artist, dead or alive, would you want to paint your portrait?

JASON: Richard Thompson. Without question. 
One can dream.

TOM: Thanks, Jason! I learned a lot!

My daily cartoon is here.

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Ginger Meggs celebrates 100!

In the Heights

In the Heights

I saw “In the Heights” the other night. Loved it.

I think it is probably the movie of the summer – it’s got everything – singing, dancing, a big presence and it’s fun.

I’ve been all over NYC, but never to Washington Heights, I always plan to go to see one thing – the Little Red Lighthouse at the foot of the George Washington Bridge, but I never seem to make it. You just take the A train or the #1 and you are there.

I’ve seen it from the Hudson River many times, from the Circle Line (the lighthouse and Washington Heights).

The Little Red Lighthouse



I’ve been to Spanish Harlem many times – by accident the first time. There’s a museum up that way, the Museum of the City of New York. Every time I’m in the city, I go to the museum. I take the #6 train and get off at 103rd Street and walk through the Spanish Harlem neighborhood and end up at Central Park, where the museum is, across from the park on 5th Avenue. But along the way, you are immersed in a great culture – the food, the murals, the bodegas, the schools and hospitals, there are many hospitals up that way.

The first time I went to the Museum of the City of New York, it was to see the Roz Chast exhibit. I figured out how to get to the area and I’ve gone back dozens of times since.

I’ll be in NYC soon and of course I’ll visit the Museum of the City of New York, Spanish Harlem, and Washington Heights. New York is back, as is most of the country, and I’ll be enjoying so much of it, having not been there for such a long time. The last time I was there I had to leave a little early because a nor’easter was coming!

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Am I trending? They seem to think so

So I’m getting some European love! Nora Gouma, a fashion/people magazine did a little feature on me.

They had seen my Ten With Tom feature in the Huffington Post and turned that back on me and did 10 questions with me.

I hadn’t done the 10 With Tom feature for awhile, but the feature is still popular. I guess when people Google certain celebs, my column comes up, so it’s always got some traction. I may bring it back, I’m in talks with the Huff Post. I have a bunch of the 10 With Tom columns here in tact in this blog.

Anyway, I see from a few of my recent press articles, that I need some new pics. Because of the pandemic, they aren’t sending people out to take pictures and I have to send the pictures in myself. I guess this European publication would not have sent anyone, but the Miami Herald and others would have when they did stories.

Drawing Batman

Somebody posted an old 1966 review from Cleveland Amory in the TV Guide on Facebook, which reviews the new upcoming tv show “Batman.”

He talks about it being on two nights in a row and that if watch part 1 and miss part 2, oh well.

No VCR’s or DVR’s back in then.

I remember when I was a kid some time in the 1970s, there was a show I was watching, I can’t remember what it was, but when it was over, I said to my mother, “I wish I could just snap my fingers and be in California so I could see the show again when it comes on there during their time zone.”

I remember in 1979 or thereabouts one of my uncles got a VCR, that was the first one I saw I think, although I do remember in school they used to wheel in something similar on movie or documentary days, so maybe his was the first one I saw in a house.

One quote from the Cleveland Amory review says, “The whole show, on first impression, may not be as great.”

This of course, is my favorite Batman, and while I have drawn other versions, I stick with Adam West’s 1960s version when I draw him. I ran a Batman comic this week and have another one coming up next week. Too much?

Sometimes I wonder if I am stepping on their trademark.

There was this guy who used to do Charlie Brown-type comics daily. That was his comic – a retread of Charlie Brown. I don’t think he got away with it because I have not seen his work in a couple of years.

Online comics – it’s where it’s at

I’ve been touting the advantage of online comics vs printed newspaper strips and it looks like the owners of the Tarzan franchise, Edgar Rice Burroughs, Inc., feel the same.

In a statement by President Jim Sullos, he says that after a 92-year-run as a printed strip in newspapers, the strip will now move to online only strips. His whole statement is here, in The Daily Cartoonist.

Their site edgarriceburroughs.com/comics has four free sample strips and in the future, you’ll have to subscribe for the new material. It’s only $21.99 per year for full access to all the strips.

I love this idea, it’s sort of like having a Patreon site but not.

I had written in the past of how I feel that comics are an online thing these days. At once I would have killed to be published daily in newspapers, but I can’t see myself doing that now. That’s so last century.

The trick now is learning how to make a living at it.

We can’t wait to gogh!

My cousin had me in tears the other day. Why? Because she booked us tickets for the Immerse Van Gogh experience in New York for July! I was going to get some tickets for Miami when it’s here in April, but this is better. I had written about it in November, when they were planning the event for Indianapolis. I really had considered going there to see it.

I was in tears because I can’t believe that things are starting to get back to normal. When she texted me that she got the tickets and told me the date and time, I was filled with happiness, something I really hadn’t felt in a long time, the pandemic was starting to weight on me. But it’s real. It’s happening. I’m going to immerse myself into my favorite artist with some of my favorite people.


I’ve missed them so much. My cousins are like brothers and sisters to me. I spend so much time with them during the year, but the last time I saw them in person was November 2019. We talk and chat all the time, but of course it’s not the same.

What was even better is that I didn’t realize that there were more than two of us on the text when she said she got the tix, so when others chimed in and said they were excited, too. I really lost it.

I’ll take you along through this blog, of course, but if you want to attend in a city near you, check out the info and dates here.

Pretend it’s a city

I’ve been watching “Pretend It’s a City,” on Netflix. I’m probably done with it by the time you read this.

It’s a seven part show featuring author (although she hasn’t published a book in 30 years, but I guess it’s like being an Oscar winner. You’re always an Oscar winner) and humorist Fran Lebowitz. Each episode is about 30 minutes long.

Martin Scorsese directed the series and is shown as he interviews Fran in many scenes, which fade in and out of various locations, from a quite club called Players, which was founded in the 1800s by Edwin Booth, brother of John Wilkes Booth, to being on stage in front of an audience.

The title “Pretend It’s a City” refers to Fran’s frequent mantra mostly to tourists who stop in the middle of sidewalks or do other annoying things, who she says need to realize, you are in a city – act like it! Fran is the female Larry David to me.

Some of the funniest things she talks about are New York City itself. Like, why are lawn chairs needed in the middle of Times Square? One interesting thing she says is that when she got to NYC in the 1970s, it was rough and gritty. But that’s how she knew New York since it was her New York at the time. She had nothing to compare it to. People who arrive today expect to see the lawn chairs in the middle of Broadway and that’s their New York.

She hates the no smoking inside rule. She says that artists and creative people meet and mingle over drinks, music and smoking. What if Picaso had to run out to smoke a cigarette every once in awhile, “Think of all the things he would have missed,” she says.

It’s all funnier and hits home when Fran tells it. Try the first episode, I think you’ll stick around for all seven.

Fran talks about so many famous people she has known. About her dislike for Warhol, her lifelong friendship with Toni Morrison and so much more.

There are lots of old scenes of “old New York” in the shows. She is really great to listen to.

Waiting for a Star to Fall

This video is so great. It’s one of my favorite songs from the ’80s, “Waiting for a Start to Fall” and it’s four and a half minutes of 1980s scenes. It brings you right back to that decade.

Here is the original video, “Waiting for a Star to Fall” by Boy Meets Girl. I have this video saved and I watch it often on YouTube.