I saw an article on line about Days of Our Lives, the soap opera – it’s moving from on air to the Peacock streaming platform.
The only reason it caught my attention is because seeing this hour glass and logo reminds me of summers so long ago. Way back when our mothers would watch this, I think it came on at 2 pm. How do I know? Because we kids would run around the neighborhood jumping from pool to pool at each other’s houses and as we ran along the sidewalks, we would hear the theme playing, “Like sands through an hour glass, these are the days of our lives,” and then the music would play.
Almost every summer day we would hear it coming out of each house as we ran down the block. I guess people listened to tv’s quite loud in those days and also people didn’t have air conditioning, so they weren’t locked in and confined in their cocoons and the sound came blasting out.
I had a similar experience in Boston a couple of times. When the Red Sox play, it seems like every tv and radio in town has the game on. And as you walk down the street, particularly Newbury Street, you can hear the game coming from each establishment. So you actually hear the whole game as you are walking – from pizza places, clothing stores, restaurants and so on.
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I wasn’t sure if people would get this cartoon, but they sure have. It’s hit a nerve with so many people. On social media people are letting loose with their comments. With this new “dynamic ticket” pricing, it’s saving all the good seats for those who can afford it, raising the price to thousands of dollars. Ticketmaster allegedly is scalping the scalpers.
I am surprised though at so many people who don’t like Bruce Springsteen, according to their comments anyway.
The last time I saw Springsteen in person was 1985! At the Orange Bowl in Miami. For years I’ve been thinking it was 1984, but this news article says it was 1985.
My mother even went! No, we didn’t need her to chaperone, she just loved Springsteen, too, so she was a fan!
My mom had eclectic tastes, she loved Springsteen, AC/DC, Peter Frampton, Fleetwood Mac and it’s no secret that her favorite song was Sweet Child o’ Mine by Guns ‘N Roses, but she also loved Frank Sinatra and Elvis, Tom Jones and basically everything!
There was a period where I went to a lot of concerts and I would get the best seats possible. I remember about 10 or 15 years ago sitting mere feet from Stevie Nicks at a Fleetwood Mac concert, she was just a few rows up and my friends and I were dead center. And I’m sure we didn’t overpay for the tickets.
Now the ticket prices are out of sight. Like gas, groceries and everything these days. I’m surprised no one has blamed President Biden for the cost of concert tickets yet.
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Today’s comic made me think of the real thing. What if there was a moving company called “Van Go” and and all of the movers looked like Vincent Van Gogh? We’ve all seen people in real life who look like Van Gogh, right?
But I guess it would be hard to gather a bunch together and have them work as movers, right? But it’s an interesting idea.
Or another idea I had was a arts and antiques moving company that used people dressed as or look-alike artists or art subjects. Like for instance you had the Mona Lisa delivering a painting you won at auction or Monet delivering a vase you got at a tag sale.
I remember years ago there was a restaurant in town that gave you famous names as you walked in along with your table buzzer. When your table was ready they would call out, “Marilyn Monroe, table for two!” “Clark Gable, table for four,” etc.
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I had applied before but was denied in the past and recently was accepted.
What I love most about it is that I am part of this group of people who I’ve admired all my life. Every cartoonist you can name – they are/were part of this society. And even greater was that I was unanimously approved, which means fellow cartoonists looked at my work and said, “YES! Let him in!” Now that’s an honor. It has put me on the map.
I should have done this years ago, but you know how it is, life takes ahold and sends you in other directions. But I’m here now.
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Yesterday’s cartoon is an homage to an old Maxell ad. I came up with the idea of the guy sitting in his chair at home being bored due to economic issues of the day and the ad came to mind as I started drawing the cartoon.
One thing though – to get a photo as a reference, I googled “Memorex” and the photo came up – but the crazy part is that it’s an ad for Maxell! And I noticed people who commented on the cartoon mentioned Memorex, which is interesting because this iconic “Blown Away” ad is not serving its purpose – directing people to the correct product, it’s literally sending people to its competitor. But of course it’s one of the best photographs ever. It’s by photographer Steve Steigman.
Even the google search sends the Memorex reference to the Maxell ad. It’s sort of like those ads that we love but we don’t remember what the product is for.
This is the original advertisement, photo by Steve Steigman
Speaking of Memorex, I remember something from high school. We had a class called Rock Poetry and it was all based on current rock music. We studied the lyrics as poetry, which is what they were. We all had to bring in a record or cassette tape (yes, it was back then) and the teacher would pull out a random record or cassette and we would listen to a song and discuss it.
One time she reached into the box and pulled out a cassette and said, “Ok, the next one is Memorex.” And of course we all cracked up. We had to explain to her that Memorex was the cassette tape company, not the name of the recording or band.
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I’ve been reading a lot of old Bringing Up Father comic strips on Facebook, they pop up daily. If you click on these, they will open larger.
What gets me is the detail. I can’t understand how George McManus, the cartoonist, drew the same characters day after day, multiple times in each strip with such precise detail. His linework is amazing.
Brining Up Father featured Maggie and Jiggs, the two main characters. It ran in newspapers for 87 yeras, from 1913 to 2000.
Jiggs is an immigrant from Ireland who comes to the U.S. and wins $1 million in a sweepstakes. So now he is up in the world but prefers his working class life. His favorite food is Corned Beef and Cabbage, which he gets often at his friend Dinty Moore’s restaurant.
The art has an Art Nouveau/Art Deco design, which makes it stand out. When McManus passed away in 1954, other artists took over the strip until its ending in 2000.
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The U.S. Postal Service has announced some new 2022 stamps and you can see here that these new Peanuts stamps will be added to celebrate Charles Schulz’s 100th birthday.
There are 10 designs surrounding Charles Schulz’s image.
Art director Greg Breeding designed the stamps from original Peanuts artwork.
I’m going to buy them, and of course never use them. The release date has not been announced, but I’ll be checking the stamps on my snail mail to see who uses them first, it would be interesting to see who does! Schulz was born Nov. 26, 1922, so possibly November would be the date they are released.
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I’m always wanting to return to the 1980s – my favorite decade.
I always imagine that when we die, we can return to any time period we like – mine would be to relive Jan 1, 1980 to Dec. 31, 1989 and then do it over and over again – sort of like a 10 year version of Ground Hog Day.
I saw this picture recently, the Kevin Bacon poster. it’s from 1986 and it’s still hanging in the subway – at one particular station in NYC. Still there, 36 years later!
I’d like to visit it and sort of be in a picture in front of it, transporting myself to 1986. It’s at the 71st and Continental subway station in Forest Hills Queens. I am always at that station, too. I get off at that stop (and get on) when I’m coming and going from the city when I meet my cousins in Queens. I will visit this when I get to NY in a couple of months. Look for it here!
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I saw in The Daily Cartoonist today, that cartoonist Jim Keefe, cartoonist for Sally Forth, who previous was the writer and artist of Flash Gordon, wrote in his blog a few years ago, about the size, or rather, lack of size of the printed comic strips today.
A few years back I showed this example here, the comics in the Miami Herald – smaller than postage stamps!
I think this is the time I realized that my dream of being a published newspaper cartoonist was not my dream anymore.
I know people read the newspaper comics, but not many. I haven’t read the actual newspaper comics for years, and by years, I mean a decade or more. I think I gave up with The Far Side, Calvin and Hobbes and Bloom County left the comics pages. Today I read them online, where you can pick and choose your favorites and sort of make up your own comics page at GoComics.com and Comics Kingdom and other sites like Webtoons.
I think one of the best places these days to publish and to read comics is Instagram. You can follow the comics you like, flip through them one panel at a time and they easily come up in your daily feed, you don’t have to look for them. I publish there Monday thru Friday.
I’m enjoying reading old “Our Boarding House” comic panels featuring Major Hoople, from the 1920s and ’30s, on Facebook. A couple of groups post one Major Hoople panel a day, it has a lot of devoted fans.
In the past I always felt that I had to be published in the newspapers – it was why comic strips were created – to be in the newspapers. Just like movies – created to be seen on the big silver screen. But today big features show up on streaming services and most comics show up online or on social media.
And with both of these situations, you can control what you see, when you see it and how you see it. You can watch a movie on your 3 inch phone or 65 inch tv – same with the comics and those tiny, postage sized comics can be easily blown on on any screen for easing viewing.
By not being confined to daily newspaper publication, you can vary your schedule, you can change the size of the panels – make them longer, shorter, etc. Not be edited, which can be a good or bad thing depending on how you look at it, and probably the best part – publish instantly without a four to eight week lag time. I can’t imagine these days completing a comic strip or panel and then waiting eight weeks to see it in print.
Of course, publishing online rather than with a syndicate in newspapers has one major drawback – no money – you don’t get a salary. But times are changing. NFT’s seem to be something interesting to look at these days along with other money-making ideas for artists and cartoonists.
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